During an elaborate video production by our partner Stephan Wiesner, various lighting systems from our product range were used. The project encompassed several settings – from classic interviews to atmospheric sports footage. In this article, we'll show you how to achieve professional results with the right lighting setups and the appropriate product selection.
The classic interview setup – professional with only two lamps
The interview setup was deliberately minimalist. The philosophy: less is more when the components are used correctly.
Wiesner used the Candela and LUX series as his main lights. For the first setup, he used the Candela 220 RGB with a large softbox and grid, which he set to daylight at 5,600 Kelvin. The grid prevents stray light and ensures that the light falls precisely where you want it.
In the background, he uses a second continuous candela light, set to a slightly desaturated blue (Kelvin). A round reflector creates the characteristic shape of the light cone. This setup establishes a clear separation between the subject and the background.
Support natural light – use daylight cleverly
If there's already good natural light from the window, you don't need to completely relight the scene. Using a Candela 220 RGB as a "lantern" – that is, not aimed directly at the subject, but rather to diffuse ambient light off the walls and ceiling – compensates for the natural light falloff without ruining the atmosphere.
The secret lies in the "motivated light": The artificial light adjusts to the existing window position. This creates a natural-looking illumination that blends perfectly into the overall picture.
The Teal and Orange Look – Atmospheric Sports Photography
For the most dramatic images, Wiesner chose the teal and orange color scheme – a look that requires precise lighting and several perfectly matched light sources.
The main light source is again a Candela continuous light with a round reflector and honeycomb grid, set to 2,700 Kelvin for a warm orange tone. The hard light with the grid prevents stray light – crucial for this look.
Two Candela 220 RGB blue lamps are used to create the blue atmosphere, bouncing across the walls and ceiling. Importantly, the lamps don't shine directly on the subject, but only create the general blue mood in the room.
The backlighting is provided by a continuous light from our LUX series, which casts a harsh blue light from behind. Several pocket lights, used as practicals – visible light sources within the image – create additional atmosphere and enhance the blue mood.
Bonus tip: Haze makes the light rays visible and gives the image depth. Timing is also crucial – the setup works best outdoors in complete darkness, when no natural light interferes.
Practical tips summarized for your implementation
In all setups, the grid was crucial. It prevents stray light and gives you precise control over the light direction – especially important with multiple light sources.
Our free app allows you to control multiple lights simultaneously. "Constantly taking the light off the tripod and putting it back up would have been incredibly annoying. The app makes it super easy," said Sebastian, who filmed the video together with Wiesner.
Use color temperature to your advantage: Our lighting systems, whether Candela or LUX series, offer variable color temperature. Use 2,700 Kelvin for a warm, atmospheric ambiance, 5,600 Kelvin (daylight) for a natural look, or any color value (available only on RGB models) for creative looks.
Conclusion
Professional lighting isn't about having tons of equipment, but about proper planning and targeted light control. With our LED continuous lighting series and creative ideas, you have everything you need.
For interviews, two lamps are perfectly sufficient if positioned correctly. Grids are key to precise lighting control. While creative looks like teal and orange require multiple light sources and precise coordination, they are easily achievable with proper preparation.
Whether you're a beginner or a professional – the setups described can be implemented with different equipment levels.
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