Anamorphic Cine Lenses 25 mm and 100 mm T/2.0 1.33x with PL-Mount

Experience ultimate versatility and the highest image quality with our set of 25 mm and 100 mm T/2.0 1.33x Anamorphic Cine Lenses with PL-Mount, packaged in a practical case. This set was specially developed for the demands of professional filmmakers who are looking for a flexible solution for a wide range of shooting conditions.

Special optics for professional video cameras

Each lens in this set offers specially developed optics that are optimally tailored to the needs of professional video cameras. They guarantee outstanding image quality and enable cinematic effects that visually enhance every production.

Usable with almost any camera with a 1.33x compression factor

The lenses in the set are characterized by a compression factor of 1.33x, which enables anamorphic image design on a variety of camera types. This universal compatibility makes the set an ideal choice for filmmakers who work with different camera systems.

Large aperture with a maximum aperture of T 2.0

Both lenses offer a large maximum aperture of T 2.0, which enables excellent shots even in difficult lighting conditions. This aperture also supports the creation of a shallow depth of field, which provides dramatic and emotional visual effects.

With standardized M0.8 gear connection

The lenses come with a standardized M0.8 gear connection, which ensures seamless compatibility with professional follow-focus systems. This allows for precise control over focusing and aperture, increasing efficiency on set.

Set consisting of two focal lengths for different applications and scenes

This set includes two carefully selected focal lengths, allowing filmmakers to choose the ideal perspective for each scene. Whether for wide-angle or telephoto shots, you are well equipped to master creative and technical challenges.

Horizontal Blue Lens Flares

The creation of horizontal blue lens flares in our Anamorphic Cine Lenses is a direct consequence of their anamorphic lens construction. These lenses use image compression, primarily along the horizontal axis, which causes light scattering and refraction in a characteristically distorted, elongated shape. The optical materials and coatings of the lenses are designed to reflect and refract certain wavelengths of light – primarily in the blue spectrum – more strongly. This technical design is crucial for producing the visually appealing and stylistically significant flares that are cherished in many film genres.

Wider field of view thanks to cine lenses

The wider field of view of our Anamorphic Cine Lenses is made possible by the specific arrangement and design of the lens elements. Anamorphic lenses use an asymmetrical lens arrangement that stretches light more in the horizontal dimension than in the vertical. This optical distortion allows a wider image to be projected onto the same sensor area without adjusting the image height. Technically speaking, this increases the horizontal field of view without compromising vertical image resolution. This feature is particularly valuable in cinematography as it allows for capturing expansive scenes without panning or the need to change camera position.